Stimulus 15: The Stand by Mother Mother

These graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures

s15_beh01

The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.

These responses were collected to The Stand by Mother Mother. This track was current favourite of the listener.

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Stimulus 14: Sinnerman (Rare recording) by Nina Simone

These graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures

s14_beh01

The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.

These responses were collected to Sinnerman by Nina Simone, from a rehearsal recording released on The Definitive Rarities Collection – 50 Classic Cuts. It includes a near interruption about a phone call (0:38) and directions deliverd in step with the music. It is substantially different from the more famous studio performances of the song in rhythmic qualities and acoustic conditions. This version was familiar to the listener but not studied.

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Stimulus 13: Stampede by The Quantic Soul Orchestra

Categories: Cross listening analysis, Stimulus Wise Analysis
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These graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures

s13_beh01

The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.

These responses were collected to Stampede, by The Quantic Soul Orchestra, from their album Stampede. The track was already very familiar to the listener.

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Stimulus 12: Dutch by Dessa

These graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures

s12_beh01

The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.

These responses were collected to Dutch, by Dessa, a track that was already very familiar to the listener.

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Stimulus 11: Something to Write Home About by I Am Robot And Proud

These graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures

s11_beh01

The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.

These responses were collected to Something to Write Home About, by I Am Robot And Proud on the album Uphill City.

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Stimulus 10: String Quartet Op. 131 Allegro-Andante (Beethoven) by Artemis Quartet

These graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures

s10_beh01

The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.

These responses were collected to Beethoven’s String Quartet Op. 131, II. Allegro molto Vivace and III. Andante moderato, by Artemis Quartet. This specific Beethoven pieces was not familiar to the listener.

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Stimulus 9: Gong Hotel by Radio Radio

These graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures.

s9_beh01

The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.

These responses were collected to Gong Hotel, by Radio Radio, a bilingual acadian hip hop track.

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Stimulus 8: Feel Good Inc. by Gorillaz

These graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures

s8_beh01

The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.

These responses were collected to Feel Good Inc., by Gorillaz, a song very familiar to the listener.

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Stimulus 7: Movimento Preciso e Meccanico (Ligeti) by Alarm Will Sound

These graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures

s7_beh01

The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.

These responses were collected to Movimento Preciso e Meccanico from Chamber Concerto by György Ligeti as performed by Alarm Will Sound in a/rhythmia. The listener was familiar with this album and piece but had not listened closely to this track before the experiment started.

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Stimulus 6: Basket by Dan Mangan

These graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures

s6_beh01

The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.

These responses were collected to Basket, by indie artist Dan Mangan, a song very familiar to the listener.

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