Stimulus 15: The Stand by Mother Mother
Posted: November 13, 2017 Filed under: Cross-listening analysis, Stimulus-wise Analysis | Tags: Continuous emotion ratings, Finger temperature, Heartrate, Mother Mother, Respiration rate, Skin conductance, Stimulus 15, surface Electromyography, The Stand Leave a commentThese graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures
The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.
These responses were collected to The Stand by Mother Mother. This track was current favourite of the listener.
Stimulus 14: Sinnerman (Rare recording) by Nina Simone
Posted: November 13, 2017 Filed under: Cross-listening analysis, Stimulus-wise Analysis | Tags: Continuous emotion ratings, Finger temperature, Heartrate, Nina Simone, Respiration rate, Sinnerman, Skin conductance, Stimulus 14, surface Electromyography Leave a commentThese graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures
The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.
These responses were collected to Sinnerman by Nina Simone, from a rehearsal recording released on The Definitive Rarities Collection – 50 Classic Cuts. It includes a near interruption about a phone call (0:38) and directions deliverd in step with the music. It is substantially different from the more famous studio performances of the song in rhythmic qualities and acoustic conditions. This version was familiar to the listener but not studied.
Stimulus 13: Stampede by The Quantic Soul Orchestra
Posted: November 13, 2017 Filed under: Cross-listening analysis, Stimulus-wise Analysis | Tags: Continuous emotion ratings, Finger temperature, Heartrate, Respiration rate, Skin conductance, Stampede, Stimulus 13, surface Electromyography, The Quantic Soul Orchestra Leave a commentCategories: Cross listening analysis, Stimulus Wise Analysis
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These graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures
The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.
These responses were collected to Stampede, by The Quantic Soul Orchestra, from their album Stampede. The track was already very familiar to the listener.
Stimulus 12: Dutch by Dessa
Posted: November 13, 2017 Filed under: Cross-listening analysis, Stimulus-wise Analysis | Tags: Continuous emotion ratings, Dessa, Dutch, Finger temperature, Heartrate, Respiration rate, Skin conductance, Stimulus 12, surface Electromyography Leave a commentThese graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures
The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.
These responses were collected to Dutch, by Dessa, a track that was already very familiar to the listener.
Stimulus 11: Something to Write Home About by I Am Robot And Proud
Posted: November 13, 2017 Filed under: Cross-listening analysis, Stimulus-wise Analysis | Tags: Continuous emotion ratings, Finger temperature, Heartrate, I Am Robot And Proud, Respiration rate, Skin conductance, Something to Write Home About, Stimulus 11, surface Electromyography Leave a commentThese graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures
The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.
These responses were collected to Something to Write Home About, by I Am Robot And Proud on the album Uphill City.
Stimulus 10: String Quartet Op. 131 Allegro-Andante (Beethoven) by Artemis Quartet
Posted: November 13, 2017 Filed under: Cross-listening analysis, Stimulus-wise Analysis | Tags: Artemis Quartet, Continuous emotion ratings, Finger temperature, Heartrate, Respiration rate, Skin conductance, Stimulus 10, String Quartet Op. 131 Allegro-Andante (Beethoven), surface Electromyography Leave a commentThese graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures
The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.
These responses were collected to Beethoven’s String Quartet Op. 131, II. Allegro molto Vivace and III. Andante moderato, by Artemis Quartet. This specific Beethoven pieces was not familiar to the listener.
Stimulus 9: Gong Hotel by Radio Radio
Posted: November 13, 2017 Filed under: Cross-listening analysis, Stimulus-wise Analysis | Tags: Continuous emotion ratings, Finger temperature, Gong Hotel, Heartrate, Radio Radio, Respiration rate, Skin conductance, Stimulus 9, surface Electromyography Leave a commentThese graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures.
The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.
These responses were collected to Gong Hotel, by Radio Radio, a bilingual acadian hip hop track.
Stimulus 8: Feel Good Inc. by Gorillaz
Posted: November 13, 2017 Filed under: Cross-listening analysis, Stimulus-wise Analysis | Tags: Continuous emotion ratings, Feel Good Inc., Finger temperature, Gorillaz, Heartrate, Respiration rate, Skin conductance, Stimulus 8, surface Electromyography Leave a commentThese graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures
The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.
These responses were collected to Feel Good Inc., by Gorillaz, a song very familiar to the listener.
Stimulus 7: Movimento Preciso e Meccanico (Ligeti) by Alarm Will Sound
Posted: November 13, 2017 Filed under: Cross-listening analysis, Stimulus-wise Analysis | Tags: Alarm Will Sound (Ligeti), Continuous emotion ratings, Finger temperature, Heartrate, Movimento Preciso e Meccanico, Respiration rate, Skin conductance, Stimulus 7, surface Electromyography Leave a commentThese graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures
The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.
These responses were collected to Movimento Preciso e Meccanico from Chamber Concerto by György Ligeti as performed by Alarm Will Sound in a/rhythmia. The listener was familiar with this album and piece but had not listened closely to this track before the experiment started.
Stimulus 6: Basket by Dan Mangan
Posted: November 13, 2017 Filed under: Cross-listening analysis, Stimulus-wise Analysis | Tags: Basket, Continuous emotion ratings, Dan Mangan, Finger temperature, Heartrate, Respiration rate, Skin conductance, Stimulus 6, surface Electromyography Leave a commentThese graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures
The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.
These responses were collected to Basket, by indie artist Dan Mangan, a song very familiar to the listener.
The Solo Response Project 