Stimulus 18: Thieving Boy by Cleo Laine

These graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures

s18_beh01

The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.

These responses were collected to Thieving Boy by Cleo Laine from the album Wordsongs. The piece was very familiar to the listener. They had partially transcribed and practiced the piece. The heard recordings was a studio performance close to the live performance that can be heard below.

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Stimulus 17: 1685/Bach by Nosaj Thing

These graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures

s17_beh01

The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.

These responses were collected to 1685/Bach by Nosaj Thing from the album Drift. The piece was familiar to the listener, but not studied.

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Stimulus 16: Invention No. 2 in C minor (BWV 773) by Glenn Gould

These graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures

s16_beh01

The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.

These responses were collected to Invention No. 2 in C minor (BWV 773) as performed by Glenn Gould. This remaster release of Gould’s recording included some of Gould’s famous humming.

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Stimulus 15: The Stand by Mother Mother

These graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures

s15_beh01

The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.

These responses were collected to The Stand by Mother Mother. This track was current favourite of the listener.

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Stimulus 14: Sinnerman (Rare recording) by Nina Simone

These graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures

s14_beh01

The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.

These responses were collected to Sinnerman by Nina Simone, from a rehearsal recording released on The Definitive Rarities Collection – 50 Classic Cuts. It includes a near interruption about a phone call (0:38) and directions deliverd in step with the music. It is substantially different from the more famous studio performances of the song in rhythmic qualities and acoustic conditions. This version was familiar to the listener but not studied.

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Stimulus 13: Stampede by The Quantic Soul Orchestra

Categories: Cross listening analysis, Stimulus Wise Analysis
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These graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures

s13_beh01

The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.

These responses were collected to Stampede, by The Quantic Soul Orchestra, from their album Stampede. The track was already very familiar to the listener.

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Stimulus 12: Dutch by Dessa

These graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures

s12_beh01

The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.

These responses were collected to Dutch, by Dessa, a track that was already very familiar to the listener.

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