Stimulus 18: Thieving Boy by Cleo Laine
Posted: November 13, 2017 | Author: finnupham | Filed under: Cross-listening analysis, Stimulus-wise Analysis | Tags: Cleo Laine, Continuous emotion ratings, Finger temperature, Heartrate, Respiration rate, Skin conductance, Stimulus 18, surface Electromyography, Thieving Boy | Leave a commentThese graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures

The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.
These responses were collected to Thieving Boy by Cleo Laine from the album Wordsongs. The piece was very familiar to the listener. They had partially transcribed and practiced the piece. The heard recordings was a studio performance close to the live performance that can be heard below.
Stimulus 17: 1685/Bach by Nosaj Thing
Posted: November 13, 2017 | Author: finnupham | Filed under: Cross-listening analysis, Stimulus-wise Analysis | Tags: 1685/Bach, Continuous emotion ratings, Finger temperature, Heartrate, Nosaj Thing, Respiration rate, Skin conductance, Stimulus 17, surface Electromyography | Leave a commentThese graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures

The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.
These responses were collected to 1685/Bach by Nosaj Thing from the album Drift. The piece was familiar to the listener, but not studied.
Stimulus 16: Invention No. 2 in C minor (BWV 773) by Glenn Gould
Posted: November 13, 2017 | Author: finnupham | Filed under: Cross-listening analysis, Stimulus-wise Analysis | Tags: Continuous emotion ratings, Finger temperature, Glenn Gould, Heartrate, Invention No. 2 in C minor (BWV 773), Respiration rate, Skin conductance, Stimulus 16, surface Electromyography | Leave a commentThese graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures

The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.
These responses were collected to Invention No. 2 in C minor (BWV 773) as performed by Glenn Gould. This remaster release of Gould’s recording included some of Gould’s famous humming.
Stimulus 15: The Stand by Mother Mother
Posted: November 13, 2017 | Author: finnupham | Filed under: Cross-listening analysis, Stimulus-wise Analysis | Tags: Continuous emotion ratings, Finger temperature, Heartrate, Mother Mother, Respiration rate, Skin conductance, Stimulus 15, surface Electromyography, The Stand | Leave a commentThese graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures

The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.
These responses were collected to The Stand by Mother Mother. This track was current favourite of the listener.
Stimulus 14: Sinnerman (Rare recording) by Nina Simone
Posted: November 13, 2017 | Author: finnupham | Filed under: Cross-listening analysis, Stimulus-wise Analysis | Tags: Continuous emotion ratings, Finger temperature, Heartrate, Nina Simone, Respiration rate, Sinnerman, Skin conductance, Stimulus 14, surface Electromyography | Leave a commentThese graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures

The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.
These responses were collected to Sinnerman by Nina Simone, from a rehearsal recording released on The Definitive Rarities Collection – 50 Classic Cuts. It includes a near interruption about a phone call (0:38) and directions deliverd in step with the music. It is substantially different from the more famous studio performances of the song in rhythmic qualities and acoustic conditions. This version was familiar to the listener but not studied.
Stimulus 13: Stampede by The Quantic Soul Orchestra
Posted: November 13, 2017 | Author: finnupham | Filed under: Cross-listening analysis, Stimulus-wise Analysis | Tags: Continuous emotion ratings, Finger temperature, Heartrate, Respiration rate, Skin conductance, Stampede, Stimulus 13, surface Electromyography, The Quantic Soul Orchestra | Leave a commentCategories: Cross listening analysis, Stimulus Wise Analysis
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These graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures

The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.
These responses were collected to Stampede, by The Quantic Soul Orchestra, from their album Stampede. The track was already very familiar to the listener.
Stimulus 12: Dutch by Dessa
Posted: November 13, 2017 | Author: finnupham | Filed under: Cross-listening analysis, Stimulus-wise Analysis | Tags: Continuous emotion ratings, Dessa, Dutch, Finger temperature, Heartrate, Respiration rate, Skin conductance, Stimulus 12, surface Electromyography | Leave a commentThese graphs report per stimulus the time course of responses across the 24 listening sessions. Some report the general patterns of responses, other show how the listener’s responses changed over successive exposures

The continuous ratings of Felt Emotional Valence and Arousal, plotted three different ways. First as individual lines with the cross listening average, then layered per session with colour marking the scale values, and finally the activity-level times series reporting the proportion of listenings showing rating changes up or down per 2 s interval.
These responses were collected to Dutch, by Dessa, a track that was already very familiar to the listener.